Put yourself through a staggered cycle of existential dread with Wazoo’s latest, “ASCO”

The music scene is saturated with countless entities, so much so that regardless of narrowing it down to Los Angeles, discovering a distinct band presents its difficulties through an ocean of musicians. Luckily, In the past two years, Wazoo has slowly emerged within the LA DIY underground scene. The four piece has blatantly displayed their individuality through their chaotic onstage energy and noisy hardcore and shoegaze driven instrumentals. Now, with their first full length album (10 tracks), ASCO, released June 7th this year through Fusion LA, Wazoo has exhibited their potential as an upcoming local band. Packed with noise, melodic bass, and harsh vocals, ASCO takes you through the motions of existential dread as perceived by the band. The soft and ambient composition in the opening track, Bugland 01, may misguide new listeners. That is until the second track, Android, crashes in. Starting off with an ear-ringing guitar riff, then slamming into a heavier sound emphasized by blast-beats, we are swarmed by lyrics, “I feel it, I feel it in my head. I don’t want it in my head.” The scorching vocals that follow those statements can hardly be understood, adding to the chaotic and explosive outro which fades into pedal noise. Likewise, Flesh Eater (track 3) and Garbage (Track 6), include hardcore fingerprints primarily established by the drums and/or vocals. Even so, each track sets forth their distinction from traditional hardcore music through their lead guitarist’s experimental pedal usage, creating unique noise compositions evocative of bands like Sonic Youth. To illustrate, at minute 1:32 in Flesh Eater, following the first chorus, a disorderly electric pedal effect escalates and dissolves into a drum break around minute 1:51. This area of the song places a spotlight on their drummer as they slowly roll the track to build toward a faster time signature for the outro. The distinct raw and jungle-esque sound of the drummer’s snare is also accentuated as the other instruments dial down. Throughout the album, Wazoo illustrates their ability to organically blend disorder and allure. This aspect of the band is what makes them particularly inspiring during live performances as their energy and emotion floods into the crowd. Whether it be in small increments like Garbage’s dissonant introduction prior to eruption, or in ASCO’s third track, Comet Buster. Comet Buster highlights Wazoo’s duality, arranging a song packed with nostalgic feeling, making it a personal favorite throughout the album. The bass line in Comet Buster is quite notable, holding a beautiful melody reminiscent of songs E and TZC from their first release, Eat That! (EP, 2023), unveiling the growth the group is capable of. Encapsulating ASCO into words and even narrowing the piece down to a genre is tough as listeners are taken through a sporadic yet beautiful trip. Full of experimental noise, emotional bass/guitar, haunting vocals and animalistic drumming, the album is an auditory experience in itself that demands to be absorbed.

Photo by Bella Villa
Photo by Bella Villa
Photo by Bella Villa
Photo by Bella Villa
Photo by Bella Villa
Photo by Bella Villa

Kate De La Torre: Born and raised in Southeast Los Angeles, is a 21-year-old community oriented and first-generation Chicana artist. Having focused on visual arts and journalism prior to graduating high school in 2021, De La Torre found herself embarking on an unexpected journey after throwing her first DIY house show on June 18, 2022, under DIY Collective, Rosie’s Pad!. The collective formed with a goal to grow a warm and welcoming community within the local music and art scene for young adults within Los Angeles county. Additionally, she is in the LA based band, Sugarhead. De La Torre also holds bilingual art classes for her elementary school community in Downtown Los Angeles.

katerinosteeth (at) gmail.com

Bella Villa is an up and coming photographer in the LA scene. Her signature photography is personal, scintillating, and infused with surrealism that showcases her experimental style. From vibrant editorials to live music shots, each photo is filled with vibe and intimacy. Look out for her work.